For more than a century and a half, Howard University has served as the nexus of culture and intellectualism. At times when Black expression was marginalized, ridiculed, co-opted, or appropriated, Howard became a refuge for creative authenticity, agency, renewal, and freedom. The university has produced scores of consequential artists, including Tony, Emmy, Grammy, and Golden-Globe Award winners, not to mention the winner of a Nobel Prize for literature. Just as important, it has served as a place where both established and aspiring artists have come to collaborate, learn, connect, and be inspired.
Howard's irrefutable positioning at the center of global Black culture was cemented with the publication of former professor Alain Locke Ph.D.'s anthology "The New Negro," which for the first time gave a national platform to artists in a range of genres and sparked the Harlem Renaissance. Demonstrated through the uniqueness of writings by Zora Neale Hurston (A.A. ‘24), the importance of books by Nobel laureate Toni Morrison (B.A.’53, H ’95), the multifaceted artistry of Emmy Award-winner Debbie Allen (BFA ’72, DHL ’93), and the box office blockbuster performances of Chadwick Boseman (BFA ’00), Howard is singular in its ability to liberate creativity and nurture it until it is ready to impact the world.
Among the reasons Howard is called "the Mecca" is because the world's most talented and accomplished creatives come to Howard to share their knowledge, ideas, and expertise. From Morrison, who served as a Howard faculty member, to former dean of the Chadwick A. Boseman College of Arts and Sciences Phylicia Rashad (BFA ’70), a two-time Tony Award winner and star of a #1 television show, to Grammy-nominee Christie Dashiell (MUSB ’10), to scores of faculty, visiting artists, lecturers, panelists, and conference attendees, the campus attracts as much greatness as it emanates.
Howard Magazine showcases a tiny representation of Howard's cultural legacy through this editorial tribute to the university's impact on the arts.